![what is vienna ensemble pro what is vienna ensemble pro](https://digitalaudioservice.de/media/catalog/product/cache/265x265/vsl-vienna-software-package.jpg)
- #WHAT IS VIENNA ENSEMBLE PRO FULL#
- #WHAT IS VIENNA ENSEMBLE PRO PRO#
- #WHAT IS VIENNA ENSEMBLE PRO MAC#
I simple need a VEP container where put all my AU virtual instrument. I was on the VSL page, and I saw a lot of products.
#WHAT IS VIENNA ENSEMBLE PRO PRO#
Magnas wrote:Hello everybody, after several attemps with my new MacBook Pro i9 with 32 GB of RAM, I think that the best way for optimize the project and the RAM/CPU usage is using VEP in my project (a lot of user gave me this advice from years). Going from 14 to 10 Core is unlikely to be an issue, however. What I really want is an upgraded iMac Pro with 8TB onboard - but what if that never happens? Exploring the options… A 2020 27" iMac 10 Core with 8TB onboard would set me back a little over $6k including 128G RAM from OWC but I really like the superior cooling and GPU of my iMac Pro. With the Mini having only 2TB max storage, I'd need more than one - yikes.
![what is vienna ensemble pro what is vienna ensemble pro](https://vi-control.net/community/data/attachments/17/17247-42e7ef505f63d665730c43bdf98e67a9.jpg)
In my case, an 8TB TB3 storage option might work as well. Every time I wait for SampleTank 4 to rebuild its index or Komplete to finish loading something, I wonder if I shouldn’t be considering this-not for more processing power but to have immediate access to my VIs. I’m not fully versed in how this all works since Apple is pushing the MP 7.1 over linked Minis these days. BTW, the new 2020 27” iMac has a T2 and can be ordered with 10GBe. Anyway, this ability to expand is why I recommend the 10GBe option to anyone thinking about buying a Mini. Add a 10GBe Mini to increase the horsepower instead.
![what is vienna ensemble pro what is vienna ensemble pro](https://lh4.googleusercontent.com/-YPaRKtvrj7k/T7UpJ6Fcm1I/AAAAAAAAAEc/nOce3ck9Vlg/s652/VEPAudio1.png)
#WHAT IS VIENNA ENSEMBLE PRO MAC#
You don’t need a MB 7.1 for this or a slave machine if you have a T2 10GBe Mac that doesn’t handle the extra load very well. No, they don’t actually state VEP but there’s no doubt about what they mean. One of Apple’s feature boasts about the MP 7.1 is that you’ll never need a slave machine to handle your VIs. Lots of talk about building custom PCs to be VEP slaves etc. You won’t really get that impression on the VEP user boards where they seem to talk about little else. Master/Slave isn’t the need it used to be as base stations become a lot more powerful but, for many (some?) users, it is. I mean using VEP without going Master/Slave but it can also mean simply hosting your VIs in a more robust environment.
![what is vienna ensemble pro what is vienna ensemble pro](https://www.da-x.de/media/amasty/blog/vsl-ensemble-pro7.jpg)
Mike, so you mean a direct 10G connection without using VEP? According to Apple, 1G Ethernet Minis can't do this. You can link additional Macs through the T2 chip and a Cat6/6a/7 cable to combine horsepower as long as those Macs have 10GBe. Speaking of that i9, it has 10G Ethernet, right? If yes, forget Master/Slave. Just so see how FAR they've come since its inception is truly inspiring. It's that good.Īnd if you add their instruments to the equation, well. If you use LOTS of VIs and MIDI programming for your music, I just don't understand how anyone could live without it. It's a pleasure to even look at it, since it invites (at least for me) you to compose. This is how I survive, with a Mac Mini (and iMac) farm of currently 5 computers. If you have an old computer laying around, and it still can run VEP7, you can easily incorporate it as a slave-Software-rack into your workflow, and ease some of your main computer's CPU power this way. You can also change chunks and projects as you wish, and you don't have to reload anything, since it can stay opened and fully loaded, which is specially great if you work from a template.
#WHAT IS VIENNA ENSEMBLE PRO FULL#
You can have your FULL template enchilada Server project always opened and ready, and you can selectively choose what is loaded or unloaded at any given time, so RAM management becomes almost a non-issue. ALL your settings for all VIs are then saved as part of the Server Project, and/or as part of a DP V-Rack chunk itself, so all that info is safely stored in there. All your VIs live in the server that belongs for the specific project. Sending audio, MIDI CCs, anything, is just great. It takes control over everything about CPU for you. While that would mean using a lot less than its real available power, the advantage is still that you host every VI you have (and possibly plugins, using VEP7 as an effects "send") from this single great environment, which then in turn you control from DP's chunks. VE Pro 7 is a powerful music production platform with a rich feature set and VM1 is designed to harness that power in a quicker and easier way than ever before! Moreover, VM1 interacts with VE Pro 7 in new ways, allowing for the quick discovery of new sounds and enhancement in creative expression.Bayswater wrote:Does VEP do anything useful if you don't use their instruments and only run on one computer? VM1 is a Controller app for Vienna Symphonic Library’s Vienna Ensemble Pro 7.